Such gestures appear for the first time in the facade, in which a quartet is made of gracefully arched windows by Murano Glassmaker Venini. Recorded from an original pattern of Gio PontiThe lunettes sparkle in shiny sky blue – a slight deviation from the legendary signatures of the label – with a complicated form that is reminiscent of it Louis Comfort Tiffanysought -after colored glazing creations. The shimmering windows not only contrast the neoclassical landmark of the 19th century from the 19th century, but also signal the premium of unexpected treasures inside. These extend over the most coveted collections of the Heritage Jeweler And Exceptional advertisements of local -specific works that Marino has commissioned by artists with blue chips Urs FischerPresent Daniel ArshamPresent Nancy LorenzPresent Julian SchnabelAnd Michelangelo Pistoletto.
The guests immediately welcomes a canvas from Pistoletto's Color and light Series in Tiffany Blue in the Brand Brand. Keep in to discover a triple height that is illuminated by a skylight; Sunshine practically shimmers glass wraps designed by Hugh Dutton and reminds of the strenuous glitter of a diamond. Arsham's is chairmanship Layered Venus of Arleswhich the productive artist meets in silver and bronze. It refers to the landmark in which another of Arshams Venus of Arles statues enjoys a similar placement. Ditto for a faceted mirror of Anish Kapoor In a gallery on the second floor that is devoted to the engagement rings. “Everything we have commissioned, the pistoletto, the fisherman, the not important portraits, the Kapoor,” explains Marino, “everyone refers to the sparkling diamonds of Tiffany.”
And there are many to see. Visitors can explore the final collections of the house – Block of Tiffany, Hardwear von Tiffany, Knot from Tiffany – and a special gallery space dedicated to the late space Elsa Perettiwhose fertile partnership with the house showed a fertile fourteenth partnership, such as the Bone cuff The bracelet and necklace from an open heart. There is also a remarkable amount of archive pieces such as a platinum -Tiffany necklace with high jewelry with more than 3,060 diamonds and one Jean Schlumberger Fleur de mer clip in platinum and 18 karat gold decorated with diamonds and sapphires. The flagship also contains a room dedicated to the home collection of Tiffany, which Marino has equipped with a colorful pair of beaking screens with equally chromatic dining table and chairs. ((Gaetano Pesce And Gio Ponti chairs are also nearby.) The top floor now contains two uniquely designed private shopping studios.
“In our Montenapoleone business there is a cultural center with art, craftsmanship, hospitality and the largest selection of extraordinary pieces from the archives Tiffany in the world,” says Anthony Ledru, President and Managing Director of the brand. “The business is the almost 200-year-old old and Italian creativity of the house in a new bar for luxury trade in Milan.” Like the trio of brands in LVMH, which now occupy the Palazzo Taverna. Tiffany's outpost -neighbor both Bulgari And The recently opened Louis Vuitton flagship, which was also designed by Marino and while during Milan Design Week With the robust new home collection of the house. The conversion of the city houses took three years per piece, but for those with a eye for the inheritance and the unexpected, the wait is worth it.